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This 48-hour frenzy includes gripping keynotes by speakers such as Al Gore, Mark Pincus, Sallie Krawcheck, Cal Henderson and many, many more.

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Lundh’s project took place in 2013 and brought together international artists, musicians, theorists, and scientists for a three-day festival of lectures, panels, performances, sound pieces, installations, and screenings. He looks into the arts as if they were the privileged site of thinking, even when they inevitably fail, and still confronts his insights/thoughts with texts taken from the traditional religions and mystics of the past.—Etel Adnan Drawing together discourses on contemporaneity and new materialisms, this book examines a material conception of temporality that makes it possible to develop a critique of the philosophical discourse on presence.

Claiming that “there is no now,” Ebeling develops an archaeology of contemporaneity according to which the traces of the contemporary can only be secured through visual or material operations, not historical ones.

Communists Anonymous understands the historical incarnations of communism as substantially incomplete in thought and practice, and places communism where it originated—in the realm of fiction.

A compendium of essays, scripts, poems, and proposals, in relation to a Spectator: was compiled by Studio for Propositional Cinema—an anonymous artist collective founded in 2013—for their eponymous exhibition at the Kestner Gesellschaft in Hannover.

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This year, it goes to Anna-Sophie Berger (*1989), Oscar Enberg (*1988), and Zac Langdon-Pole (*1988).

The prize includes two exhibitions at renowned art institutions in Germany and Belgium, the ars viva catalogue, and an artist residency on Fogo Island (Canada).

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